This announcement is long overdue, but I finished the first draft of The Reaper's Daughter at the start of September. I absolutely can't wait to release it, and without totally having confirmed this yet with my
publisher, I'm hoping for a mid-January release. My cover is already complete as well, so that reveal will hopefully be coming soon.
I absolutely love this book, and yet, after spending eight years on writing Fractured Dream and only one on the rough draft of The Reaper's Daughter, is it strange it felt almost anti-climatic? I almost feel as if I cheated. It's more average sized as far as books go, while Fractured Dream is a bit longer. So perhaps that's it. I poured just as much love into this one, but it felt easier to write somehow. The common saying among authors is that the first book is always the hardest and I wholeheartedly agree. Perhaps it's the motivation I possessed writing the second one, it was so much more intense after finally finishing one book. I'm an actual author now, my inner self screams in delight, and the urge to continue weaving all the stories crowding my head make my
fingers go crazy on the keyboard as the "beast-creature ideas," as Ray Bradbury put it, demand to be let out.
I also have an urge to return to the world I built in The Dreamer Saga, to continue Story's story (ha ha). It's definitely a different experience soaring through a book in such a short period of time after toiling away for years with people questioning whether you'd ever actually finish the book. Then wondering if anyone would publish it, should I go indie? Traditional? Self-publish? But here I am a year later with a published book and a publisher behind me and a second book almost ready to go, but the beast-creatures in my head haven't had
their stories completed yet and so to the keyboard I return, a mad woman with a mission: to tell stories.
So here's to getting a book blurb for The Reaper's Daughter soon so that I can share with anyone who likes my writing or is intrigued by the title of this book and what it's about. Stay Tuned for more details.
Today, I read an article featuring some of the most disturbing, horrific and hilarious book covers (and titles) to ever have troubled the reading people, which you can read at Bored Panda. So while the old adage says, "you can't judge a book by its cover," I would suggest not turning your readership off all together. On the flip side, I am really into covers recently, and fiction often lends itself to really awesome imagery, especially fantasy and young adult. My obsession comes from the fact that we've recently been working on the cover for my book, Fractured Dream, slated for publication by Booktrope in June. I'm absolutely in love with it and can't wait until I can share it here. But all in good time.
The bottom line, however, is covers. So I decided to showcase a few that for me, are visual orgasms of delight. Stay awhile and take a looksy.
The first book pictured above is book one in the Eve series bye A.L. Waddington. For transparency sake, I am editing this series, although I did not have a part in the editing of this first book. But my involvement in the series has nothing to do with my love of this cover. Mystical, magic visual love! I am editing the second book pictured above, which is also in the Eve series. And you're in luck, because the cover for Enlightened was just revealed on Monday. Both covers were done by the wonderful Greg Simanson, a cover designer with Booktrope Publishing. If I was tweeting I'd call it #coverlove.
The third book pictured is Schasm by Shari Ryan. The author did her own art work and a fantabulous job she did. I didn't edit the above book, which is the first in this series, but I am editing her second book, Frissure Free. I'll post the cover here at some point because it is also beautiful, if not more so than the first. All three have been, or will be, published by Booktrope.
I trolled around for some other visual wonders and found these three, much loved for the contrast of colors, as well as concept. Firebug, the first one pictured, was a a cover reveal featured on Tor.com today. I don't even really know what these books are about, but I'm definitely in the mood to find out.
But wait, I'm not done. More eye candy to come.
The first one, done by Ida Jansson, is just cool. The designer also works for Booktrope, but I nabbed this off her website, where she also does cover design independently. Book two was a random cover found on Goodreads.com. I so rarely see fantasy covers that feature beautifully drawn creatures of magic that I was drawn to it. It appeals to my old school/new school sense of cover art. The third one is also off of Goodreads, and is a contender in their covergasms contest. You can see why.
Although a book can have a great cover and be a dud, it doesn't hurt to stun possible readers by translating your words into vivid works of art. Fantasy or not, covers have power and I'm feeling the magic in these.
I just had to post this cool book trailer for Running Secrets by Arleen Williams, which is on sale now. I edited the book so I might be biased, but it's a great read for those who like contemporary women's fiction. It's the first in a series called the Alki Trilogy for all of you familiar with Seattle. Anyway, check out the trailer if interested.
And then the day came when someone actually read the book...
Any writer will understand the excitement and anxiety that goes along with finally letting someone read your work. I recently handed over my entire manuscript to my sister to be my first reader ever. She has listened to me talk about it for years now, so I figured I owed her the first read. Besides, she reads the fantasy-fiction genre, and can be pretty brutal when need-be.
From the point where I printed out the MS for the first time last month, topping off at more than 200k words, to the much slimmer version I emailed to her last week, it's been a journey.
In my previous post I babbled ignorantly on about how easy I found "killing my darlings," or editing, had been. And it was at first. But when I was still at 190-something thousand words after cutting 20- to 30 pages, I had to take a step back. I'm pretty realistic, and as much as I loved the 40 or so pages still lingering that were keeping me away from my goal of 160k words, I realize that I'm a newbie, a no-name writer, and a book of that length would be daunting coming from an untested author.
Despite knowing this, I tried going through the MS first and cutting down sentences, paragraphs and a page here or there in hopes that it would drop my word count down and bring me to a more reasonable length. I mean I want people to read it. But I moaned, I procrastinated, I debated and shook my head. It was too painful. I couldn't do it. But then I did. I clicked command-x and deposited the first 50 or so into another document, saved it, and said adieu—for now. A prequel could always rise from those ashes.
Instantly, I felt a sense of freedom, a weight lifted from my spirit and I turned to my book with new eyes and a better sense of length, pace and readability. And I've been happier ever since. But it certainly wasn't easy, I say to my previous naive self. I even got the word count under 150k. I mean it's fantasy, after all, so it's got a little heft.
This all brings me to handing it over for the first time to be read. I'm certain my sister wants to ring my neck, because I keep finding reasons to talk to her to find out what she thinks. But it's an amazing feeling to have written a book and have even just one reader, who so far, likes it.
Don’t mind the random fruit loop sitting on the booster seat chair. I have a two-year-old. Enough said. The focus is the manuscript sitting in print form on my kitchen table. Epic proportions it may be, seeing it like that filled me with a sense of accomplishment. No more computer screen. This is real. And then I quietly freaked out inside realizing how much editing still needed to be done before I could get where I’ve been heading all this time. Stephen King has a quote: “Kill your darlings, kill your darlings, even when it breaks your egocentric scribbler’s little heart, kill your darlings.” I’d say in terms of words, I’ve been doing pretty well at cutting since I laid this out on the table. A friend’s words recently reassured me: “None of that matters though, when you can throw your book down on the kitchen table like that and it makes the floor shake, you did good enough.”
I did good enough. But now I need to do better. So gone are the first 25 pages, the first words I ever wrote when the story first came alive. Gone are pages in the middle, chopping away at 200k words as if it were someone else’s words going into the trash. Although there have been twinges, passages I delicately caressed before hitting control X– delete would be too harsh so I keep those words in another file–I have found that it hasn’t hurt as much as I thought it would. Hours, days, weeks and years toiled away on the keyboard, and with one stroke those words are gone.
I guess, in the end, making it the best story it can be outweighs the pang of loss. And when the day comes I see it in published form, those years of words that will never see the light of day won’t bother me in the least. Because they were stepping stones and bridges to a story that moved beyond them. They served a purpose, and I can be content knowing that.
“While writing is like a joyful release, editing is a prison where the bars are my former intentions and the abusive warden my own neuroticism.”
― Tiffany Madison
I follow a lot of writers on Twitter, which makes sense since I am a writer myself. And I've noticed at various times when I'm perusing my feed the number of writers who, finished writing a book, bemoan the editing they now have to do. While I'm sure every writer would like to write the last sentence and declare a manuscript complete, I can't relate. Editing is the part where I get to make it pretty -- to change a sentence from drab to fab, and bring color to quickly-written passages. But I do agree with the quote above on writing; it is a release to let the story breathe and the characters clawing their way out of you go free.
Having written my own book over a period of years, I'm finding the editing is more than arduous, as full chapters need to be rewritten, and new ideas still come and force me to tweak a character here or a side plot line here. It doesn't help that the book itself has reached epic proportions in length, so that my next job once I've went all the way through is to use my literary scissors and cut.
But I do love editing, having only realized this when I became the editor of an online publication. And now my path has led me to Booktrope, where I have begun to work with authors by editing and proofing their stories. Most of the time, it doesn't even feel like work, it feels like I should be editing books and writing books full-time -- oh the dream!
Since I'm a realist, I'll be plugging the hell out of my own manuscript and editing books into the wee hours of the night while working the day job that pays. It's hard to rein in inspiration when it hits, so I'll also be fighting off the overwhelming urge to write a YA story that came to me one day recently and has since festooned itself around my soul with images, plot lines and character colors. One book at a time, Katrina, or so I lie to myself...
“You grow ravenous. You run fevers. You know exhilarations. You can't sleep at night, because your beast-creature ideas want out and turn you in your bed. It is a grand way to live.” ― Ray Bradbury
K.M. Randall writes fantasy and paranormal for both a general and young adult audience. Her debut novel, an epic fantasy called Fractured Dream, launched in June 2014, and her second book, The Reaper's Daughter, launched May 2015. Randall also published Fairytale Lost, a prequel to Fractured Dream, as an exclusive on Wattpad. She blogs about dreams, female heroines, and activism and its relevancy to the literary and fictional world. And when in the season, sometimes she just likes to talk about Halloween. She is currently hard at work on the second book in the Dreamer Saga series, Shattered World.